Screen

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  Año 2004, Vol. 45, Número 4

  • Reality TV, Wife Swap and the drama of banality

    H. Piper

    págs. 273-286

    

  • Audiophilia: audiovisual pleasure and narrative cinema in Jackie Brown

    R. Miklitsch

    págs. 287-304

    

  • Horror of a different kind: dissonant voices of the new Turkish cinema

    A. Suner

    págs. 305-323

    

  • Room for experiment: gallery films and vertical time from Maya Deren to Eija Liisa Ahtila

    C. Fowler

    págs. 324-343

    

  • Branding Hollywood: studio logos and the aesthetics of memory and hype

    P. Grainge

    págs. 344-362

    

  • Introduction

    S. Street

    págs. 363-366

    

  • Capital and creativity: some notes on the British film art director of the 1940s

    L. Ede

    págs. 367-374

    

  • `A discreet character?' Action spaces and architectural specificity in French poetic realist cinema

    B. McCann

    págs. 375-382

    

  • The Dream Works effect: the case for studying the ideology of production design

    D. Sutton

    págs. 383-390

    

  • Just looking? Traumatic affect, film form and spectatorship in the work of Lars von Trier

    C. Bainbridge

    págs. 391-400

    

  • Inside/out: private trauma and public knowledge in true crime documentary

    A. Biressi

    págs. 401-412

    

  • Errol Morris: documentary as psychic drama

    H. Nunn

    págs. 413-422

    

  • Using `network' theory in the post-network era: fictional 9/11 US television discourse as a `cultural forum'

    A. D. Lotz

    págs. 423-439

    

  • Nicky Hamlyn, Film Art Phenomena; Nina Danino and Michael Maziere (eds), The Undercut Reader: Critical Writings on Artists' Film and Video; Wheeler Winston Dixon and Gwendolyn Audrey Foster (eds), Experimental Cinema: the Film Reader

    A. L. Rees

    págs. 440-446

    

  • Philip Gillett, The British Working Class in Postwar Film; Sue Harper and Vincent Porter, British Cinema of the 1950s: the Decline of Deference

    R. Murphy

    págs. 447-451

    

  • Arthur Knight, Disintegrating the Musical: Black Performance and American Musical Film

    C. Regester

    págs. 452-456

    

  • Greg M. Smith, Film Structure and the Emotion System

    D. Barratt

    págs. 457-460

    

  • Mary Anne Doane, The Emergence of Cinematic Time: Modernity, Contingency, the Archive

    B. Bennett

    págs. 461-466