págs. 5-35
págs. 36-57
Diversity of accuracy profiles for absolute pitch recognition
N. Bahr, C. A. Christensen
págs. 58-93
Analysis and perception in post-tonal music: an example from Kurtag's String Quartet Op. 1
A. R. Addessi
págs. 94-116
págs. 117-118
págs. 119-120
P. Kivy, The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius
U. M. Nater
pág. 121
R. Timmers, Freedom and Constraints in Timing and Ornamentation: Investigations of Music Performance
E. Schoonderwaldt
págs. 122-128
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