Early music

• 

  Año 2005, Vol. 33, Número 1

  • Editorial

    Tess Knighton

    págs. 1-2

    

  • Bach's extraordinary temperament: our Rosetta Stone¿1

    Bradley Lehman

    págs. 3-23

    

  • 'Madama' Margaret of Parma's patronage of music

    Seishiro Niwa

    págs. 25-37

    

  • Daniel Vetter and the domestic keyboard chorale in Bach's Leipzig

    Stephen Rose

    págs. 39-53

    

  • The clarinet in England during the 1760s

    Albert R. Rice

    págs. 55-64

    

  • 'The ingenious Miss Turner': Elizabeth Turner (d 1756), singer, harpsichordist and composer

    Margaret Yelloly

    págs. 65-79

    

  • The invention of the fortepiano as intellectual history

    Eleanor Selfridge-Field

    págs. 81-94

    

  • What did Cristofori call his invention?

    Edwin M. Good

    págs. 95-97

    

  • Absorbing Lassus

    John Milsom

    págs. 99-116

    

  • Medieval improvisation

    Jane Flynn

    págs. 115-117

    

  • The soundworld of Toledo cathedral

    Miguel Angel Marín López

    págs. 117-119

    

  • The Sun King at worship

    Lionel Sawkins

    págs. 119-121

    

  • Bach in Leipzig

    Tanya Kevorkian

    págs. 121-124

    

  • German keyboards

    John Koster

    págs. 124-128

    

  • 'Alphonso Ferrabosco ¿ mastring all the spirits of Musique'

    Lucy Robinson

    págs. 129-130

    

  • Italyn survivals

    Flora Dennis

    págs. 130-132

    

  • Louis Couperin at the keyboard

    Bruce Gustafson

    págs. 132-133

    

  • A Classical sacred miscellany

    David Wyn Jones

    págs. 134-135

    

  • Magic and mystery in Gibbons and Dowland

    David Pinto

    págs. 137-141

    

  • The Altbachisches Archiv

    Stephen Rose

    págs. 141-144

    

  • Unknown Scarlatti

    Michael Talbot

    págs. 144-145

    

  • The Welsh bowed lyre

    Phyllis Kinney

    págs. 145-147

    

  • Erratum

    pág. 147

    

  • Instruments

    Jeremy Montagu

    págs. 149-153

    

  • The Pietà Museum, Venice

    Eleanor Selfridge-Field

    pág. 154

    

  • Further thoughts on the Lambeth Choirbook and Jena 9

    págs. 155-157