Screen

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  Año 2005, Vol. 46, Número 1

  • Michael Powell centenary issue: Introduction

    S. Street

    págs. 1-4

    

  • Hitchcock and Powell: two directions for British cinema

    C. Barr

    págs. 5-14

    

  • Autobiography, the self and Pressburger-Powell's The Golden Years project

    A. Moor

    págs. 15-32

    

  • `The true business of the British movie'? A Matter of Life and Death and British film culture

    J. Chapman

    págs. 33-50

    

  • Rediagnosing A Matter of Life and Death

    D. Sutton

    págs. 51-62

    

  • Strong men: three forms of the magus in the films of Powell and Pressburger

    R. Murphy

    págs. 63-72

    

  • Comedy and Eros: Powell's Australian films They're a Weird Mob and Age of Consent

    J. Hoorn

    págs. 73-84

    

  • The British film debate: Introduction

    S. Street

    págs. 85-86

    

  • Public policy and public funding for film: some recent developments in the UK

    M. Dickinson

    págs. 87-96

    

  • Images on the move: reframing the cinemas of Europe

    W. Everett

    págs. 97-106

    

  • Parenthood: nurturing and developing the BFI National Film and Television Archive

    P. Russell

    págs. 107-114

    

  • Sean Cubitt, The Cinema Effect

    L. U. Marks

    págs. 127-131