"THE POLISHING ATTRITION": READING, WRITING, AND RENUNCIATION IN THE WORK OF SUSAN WARNER
Gillian Silverman
págs. 3-28
Robert Nowatzki
págs. 29-58
"A MERELY PICTORIAL SUBJECT": THE TURN OF THE SCREW
Adam Sonstegard
págs. 59-85
"RACELESS" WRITING AND DIFFERENCE: ANN PETRY'S COUNTRY PLACE AND THE AFRICAN-AMERICAN LITERRY CANON
Emily Bernard
págs. 87-117
Anti-Catholicism and Nineteenth-Century Fiction
Caroline Levander
págs. 119-120
Transamerican Literary Relations and the Nineteenth-Century Public Sphere
Kirsten Silva Gruesz
págs. 120-122
Facing America: Iconography and the Civil War
Christopher Diller
págs. 122-124
págs. 124-126
págs. 126-128
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