págs. 9-10
págs. 11-17
THE BOREL MANUSCRIPT: A NEW SOURCE OF SEVENTEENTH-CENTURY FRENCH HARPSICHORD MUSIC AT BERKELEY
Davitt Moroney
págs. 18-47
págs. 48-73
págs. 74-86
David F. García, Philip Vandermeer
págs. 95-100
págs. 100-104
págs. 104-106
Speaking of Music: Music Conferences, 1835-1966
Philip Vandermeer, Manuel Ervitti
págs. 106-107
Philip Vandermeer, Donald Manildi
págs. 108-110
Philip Vandermeer, Alan Asher
págs. 110-112
págs. 112-114
págs. 114-116
Beth E. Levy
págs. 116-118
Virginia Hancock
págs. 118-121
The Age of Chopin: Interdisciplinary Inquiries
Barbara Milewski
págs. 121-122
págs. 122-125
págs. 125-127
Divining the Oracle: Monteverdi's Seconda Prattica
Mauro Calcagno
págs. 127-130
Pierpaolo Polzonetti
págs. 130-133
The Cambridge Companion to Sibelius
Laura J. Gray
págs. 133-135
Bad Music: The Music We Love to Hate
Brenda Gale Beasley
págs. 136-138
págs. 138-139
Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music
Peter Mercer-Taylor, Philip Vandermeer
págs. 140-142
"Let the Church Sing!": Music and Worship in a Black Mississippi Community
Philip Vandermeer, Ericka Patillo
págs. 142-145
Performing Ethnomusicology: Teaching and Representation in World Music Ensembles
Philip Vandermeer, Jonathan McCollum
págs. 145-147
Real Country: Music and Language in Working-Class Culture
Tracey E. W. Laird, Philip Vandermeer
págs. 147-149
págs. 149-152
Thai Classical Singing: Its History, Musical Characteristics and Transmission
Philip Vandermeer, Pamela A. Moro
págs. 152-153
Karen R. Little, Julia Graepel
págs. 154-177
© 2001-2025 Fundación Dialnet · Todos los derechos reservados