Modernism = Modernity

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  Año 2005, Vol. 12, Número 3

  • The Colors of Zion: Black, Jewish, and Irish Nationalisms At the Turn of the Century

    G. Bornstein

    págs. 369-384

    

  • Passing as Modernism

    P. L. Caughie

    págs. 385-406

    

  • Unlike Many Others: Exceptional White Characters in Harlem Renaissance Fiction

    E. Bernard

    págs. 407-424

    

  • T. S. Eliot: The Performativity of Gender in The Waste Land

    C. N. Pondrom

    págs. 425-442

    

  • Planets on Tables: Still Life and War in the Poetry of Wallace Stevens

    Bonnie Costello

    págs. 443-458

    

  • Hugh Kenner and the Invention of Modernism

    Marjorie Perloff

    págs. 465-470

    

  • Hugh Kenner's Modernism and Ours

    C. Froula

    págs. 471-476

    

  • The Newton of Modernism

    G. Bruns

    págs. 477-482

    

  • The Voice and the Void: Hugh Kenner's Joyce

    M. Norris

    págs. 483-486

    

  • Kenner, Eliot, and Language

    B. Ahearn

    págs. 487-492

    

  • Hugh Kenner's Pound of Flesh

    J. Wicke

    págs. 493-498

    

  • Kenner, Beckett, "Irrational" "Man," and the Obligation to Express

    J. P. Riquelme

    págs. 499-504

    

  • "Who's he when he's at home?": Re-reading Joyce and Modernism

    E. Nolan

    págs. 505-510

    

  • William M. Landes and Richard A. Posner The Economic Structure of Intellectual Property Law

    Paul Saint-Amour

    págs. 511-512

    

  • Martin Jay Songs of Experience: Modern American and European Variations on a Universal Theme

    A. Erjavec

    págs. 513-514

    

  • Geoff Gilbert Before Modernism Was: Modern History and the Constituency of Writing

    J. M. Utell

    págs. 515-516

    

  • Peter Fritzsche Stranded in the Present: Modern Time and the Melancholy of History

    R. Wohl

    págs. 517-518

    

  • David Adams Colonial Odysseys: Empire and Epic in the Modernist Novel

    J. Esty

    págs. 519-520

    

  • Guillaume Apollinaire. Peter Read, transl. The Cubist Painters

    Marjorie Perloff

    págs. 521-522

    

  • Bryher Visa for Avalon

    A. Freedman

    págs. 523-524

    

  • Natalya Reinhold, ed. Woolf Across Cultures

    D. Adams

    págs. 525-526

    

  • Christine Froula Virginia Woolf and the Bloomsbury Avant-Garde: War, Civilization, Modernity

    V. Neverow

    págs. 527-528

    

  • Edward P. Comentale Modernism, Cultural Production, and the British Avant-Garde

    A. Jaffe

    págs. 529-530

    

  • Diana Wallace The Woman's Historical Novel: British Women Writers, 1900-2000

    D. James

    págs. 531-532

    

  • John Xiros Cooper Modernism and the Culture of Market Society

    N. Daly

    págs. 533-534

    

  • Michael Mann Fascists

    D. Baker

    págs. 535-536

    

  • Claudia Lazzaro and Roger J. Crum, eds. Donatello among the Blackshirts: History and Modernity in the Visual Culture of Fascist Italy

    R. Griffin

    págs. 537-538

    

  • Barbara Zabel Assembling Art: The Machine and the American Avant-Garde

    A. Hemingway

    págs. 539-541

    

  • Jeffrey W. Westover The Colonial Moment: Discoveries and Settlements in Modern American Poetry

    C. Miller

    pág. 542

    

  • Sibelan Forrester, Magdalena J. Zaborowska and Elena Gapova, eds. Over the Wall/After the Fall: Post-Communist Cultures through an East-West Gaze

    H. Pilkington

    págs. 543-544