Early music

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  Año 2005, Vol. 33, Número 4

  • Editorial

    Tess Knighton

    pág. 555

    

  • Iconography in the history of the recorder up to c.1430¿Part 1

    Anthony Rowland-Jones

    págs. 557-574

    

  • Handel and the confus'd shepherdess: a case study of stylistic eclecticism

    Graham Cummings

    págs. 575-589

    

  • Gottfried Finger's Christmas pastorellas

    Robert Rawson

    págs. 591-606

    

  • A 41-cent emendation: a textual problem in Wheatstone' s publication of Giulio Regondi's Serenade for English concertina and piano

    Allan W. Atlas

    págs. 609-617

    

  • Infunde amorem cordibus: an early 16th-century polyphonic hymn cycle from Seville

    Juan Ruiz Jiménez

    págs. 619-638

    

  • The partbooks of a Florentine ex-patriate: new light on Florence, Biblioteca Nazionale Centrale Ms. Magl. XIX 164-7

    Joshua F. Drake

    págs. 639-645

    

  • Reconstructing Talus's Latin Magnificat and Nunc dimittis

    Stephen Rice

    págs. 647-658

    

  • More on the Lambeth Choirbook

    Roger Bowers

    págs. 659-664

    

  • Completing the picture: the importance of reconstructing early opera

    Julie Muller, Frans Muller

    págs. 667-681

    

  • Tallis in performance

    Timothy Day

    págs. 683-692

    

  • After the party: Hildegard since 1998

    Honey Meconi

    págs. 693-695

    

  • A guide to Willaert

    Noel O'Regan

    págs. 695-696

    

  • The power of song?

    Tim Carter

    págs. 696-700

    

  • The bear growls

    Stephen Rose

    págs. 700-702

    

  • Eloquent bodies: humanist and grotesque dance

    Jennifer Thorp

    págs. 702-704

    

  • Disclosing women's voices

    Margaret Yelloly

    págs. 704-706

    

  • The earliest songbook in England

    Lisa Colton

    págs. 707-708

    

  • Riches of organum

    Jeremy Yudkin

    págs. 708-710

    

  • On editing Byrd

    Richard Rastall

    págs. 710-713

    

  • The `famous organist¿ Vincent Lübeck

    Douglas Hollick

    págs. 713-714

    

  • Rameau's galante orgy

    Lois Rosow

    págs. 714-716

    

  • Renaissance polyphony

    Magnus Williamson

    págs. 717-721

    

  • A century of English song

    John Milsom

    págs. 721-723

    

  • Italian vocal music

    Michael Talbot

    págs. 723-725

    

  • Varieties of Vivaldi

    Peter Holman

    págs. 725-727

    

  • French harpsichord music

    David Chung

    págs. 728-729

    

  • Death and the Mayerin: Germanic harpsichord music

    Bradley Lehman

    págs. 730-732

    

  • Recent recordings from the Classical period

    Peter Branscombe

    págs. 732-734

    

  • 18th-century Peru

    Geoffrey Baker

    pág. 732