Modern art comes to the Metropolitan: The 1921 exhibition of 'Impressionist and Post-Impressionist Paintings'
págs. 3-12
Picasso's 'La femme à la clé' (1953-1954): the sculptor, his model and his assistant
págs. 13-19
págs. 20-25
Three Scottish Colourists: early patronage of Peploe, Hunter and Cadell
págs. 26-33
Barbara Hepworth and Ashley Havinden: an artistic friendship
págs. 34-41
H.S. Ede: 'A friend of artist'
págs. 34-42
Picasso, 'Mercure' and sculpture: The Apollinaire monumentof 1928-32
págs. 48-54
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