A Discussion in 12 Parts With Milton Babbitt at the Juilliard School of Music
F. J. Oteri
págs. 1-27
MILTON BABBITT - "Mighty is the charm of those abstractions to a mind beset with images."
P. Escot
págs. 28-51
Polyrhythmic Superimposition in Jazz, Hemiola and Implied Meters Before 1965
B. Levy
págs. 52-69
Erik Satie's Vexations
K. M. Sullivan
págs. 70-76
Bach, Brahms, and Babbitt - Rhythm as a Sympathetic Phenomenon Towards Harmonic Schemata
D. Fulmer
págs. 77-84
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