págs. 3-8
Picasso's imagery of death: sculpture as 'memento mori'
págs. 9-15
Sylvia Sprigge and the 'Sage of Settignano': Berenson's first biographer
págs. 16-20
William Rothenstein and the RCA: the creation of English academic art
págs. 21-24
págs. 25-26
A 'Modern Sculpture Initiative': recent acquisitions at Nelson-Atkins Museum
págs. 27-31
The Townley Zoffany: reflections on 'Charles Townley and his friends'
págs. 32-35
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