Straying toward the promised land: Abjection and transgressive wandering in The Bridge of the Innisfallen
Mary Katherine Compton
págs. 5-16
Vision and revelation in Eudora Welty's Early Fiction and photography: 360
Matthew R. Martín
págs. 17-26
"Where is the voice coming from?" Eudora Welthy's life in fiction: 2238
Gerda Seaman, Ellen Walker
págs. 27-37
págs. 38-47
"The Lighted display case": a Nietzschean reading of cormac McCarthy's Border Fiction
Linda Townley Woodson
págs. 48-60
The lay of the land in Cormac McCarthy's The Orchard Keeper and Child of God: 1028
K. Wesley Berry
págs. 61-77
Copying what the master had written: Fredirick Douglass's "The Heroic Slave" and the southern historical romance
págs. 78-92
"Sophisticated Acts": The friendship of Flannery O'Connor and William Sessions
Linda Hollandsworth
págs. 93-100
"An honour as well as a pleasure": Dueling, violence and race in Pudd'nhead Wilson
Vince Brewton
págs. 101-118
Images of the south through the Image of Freaks: A movie from The Ballad of the Sad Café
págs. 119-123
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