Southern Quarterly

• 

  Año 1998, Vol. 36, Número 2

  • Bill Russell: an american ensemble

    Jon Kukla

    págs. 7-9

    

  • The musical worlds of William Russell: 1104

    Bruce Boyd Reaburn

    págs. 10-18

    

  • A brother remembers William Russell: 1245

    William Frederick Wagner

    págs. 19-26

    

  • Bill Russell as record producer: a tribute

    Barry Martyn

    págs. 27-33

    

  • William Russell: american persussion composer

    Don Gillespie

    págs. 34-56

    

  • Pictures worth a thousand notes: the photographic holdings of the William Russell collection

    John H. Lawrence

    págs. 57-62

    

  • Maple leaf rag: Bill Russell and his jazz colletion at the historic New Orleans collection

    Richard Jackson

    págs. 63-72

    

  • The William Russell collection: providing care and access

    Alfred E. Lemmon

    págs. 73-80

    

  • William Russell and his collection: a historical perspective

    Jason Berry

    págs. 81-94

    

  • ''He was getting it involved with himself'': identity and reflexivity in William Faulkner''s Light in August and Absalom, Absalom!

    Helen Lynn Sugarman

    págs. 95-102

    

  • Whose story is it?: history and fiction in Cormac McCarthy''s All the pretty horses

    John Wegner

    págs. 103-110

    

  • Printmaking as a Bozart of the South: 1914-1947

    Lynn Barstis Williams

    págs. 111-132