Dramatic Justice?: The Aftermath of the Holocaust in Ronald Harwood's "Taking Sides" and "The Handyman"
Victoria Stewart
págs. 1-12
págs. 13-31
'It's the Do-Gooders Burn My Ass': Modern Canadian Drama and the Crisis of Liberalism
Jerry Wasserman
págs. 32-47
Shame, guilt, empathy and the search for identity in Arthur Miller's "Death of a Salesman": 696
Fred Ribkoff
págs. 48-55
The pictures of Simon Gray: dramatizing degeneration
Anne Nothof
págs. 56-65
The politics of catastrophe: confrontation or confirmation in Howard Barker's theatre
Liz Tomlin
págs. 66-77
págs. 78-86
págs. 87-99
From Jug Band to Dixieland: The Musical Development behind August Wilson's "Ma Rainey's Black Bottom"
Susan C.W. Abbotson
págs. 100-108
Into That Rinsing Glare?: Field Day's Irish Tragedies
Shaun Richards
págs. 109-119
Leaving the Labyrinth: Hella S. Haasse's "A Thread in the Dark" (De Draad in het donker)
pág. 120
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