Modern drama

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  Año 1999, Vol. 42, Número 3

  • Enter the theatre (in between): 2502

    Hélène Cixous

    págs. 301-314

    

  • Claver blokes and thick lads: Tom Murphy's A Whistle in the Dark

    Claire Gleitman

    págs. 315-325

    

  • Magic meanings in Mamet's Cyptogram: 1255

    Martín Schaub

    págs. 326-337

    

  • Shaw's Devil's Disciple: the subversion of melodrama/The melodrama of subversion

    Mark H. Sterner

    págs. 338-345

    

  • Not about Nightingales: Tennessee Williams as social activist

    Allean Hale

    págs. 346-362

    

  • The common good: the hare trilogy

    David Pattie

    págs. 363-374

    

  • Foreman for every man: Pearls for Pigs

    Ethan J. Leib

    págs. 375-390

    

  • Anger, Nostalgia, and the end of empire: John Osborne's Look Back in Anger

    Nandi Bhatia

    págs. 391-400

    

  • 'Missing mothers and absent fathers': Howard Barker's Seven Lears and Elaine Feinstein's Lear's Daughters

    Graham Saunders

    págs. 401-410

    

  • Hidden order in the 'Stoppars Set': Chaos theory in the content and structure of Tom Stoppard's Arcadia

    Susanne Vees-Gulani

    págs. 411-426

    

  • 'Echo Spring': reflecting to Gaze of Narcissus in Tennessee Williams's Cat on a Hot Tin Roof

    George W. Crandell

    págs. 427-441

    

  • Beckett's Play, in extenso: 928

    S. E. Gontarski

    págs. 442-455