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Tom Stoppard and the Invention of Biography: 267
Ira B. Nadel
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Dancing at Lughnasa: Unexcused Absence
Prapassaree Kramer
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Splitting Images: Samuel Beckett's Nacht und Traume
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Camusian Existentialism in Arthur Miller's After the Fall: 2225
Derek Parker Royal
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Black Cats and Green Trees: The Art of Maria Irene Fornes
Sally Porterfield
pág. 204
'So entirely unexpected': The Modernist Dramaturgy of Marjorie Pickhall's The Wood Carver's Wife
Patricia L. Badir
pág. 216
Introduction: Remaking Modern Classics
Christopher Innes
pág. 248
Lulu pantomine in one act by Felicien Champasaur: 761
Albert Bermel
pág. 252
Challenging Myth and Tradition: National/Cultural Identity and the Irish Theatrical Canon
Brian Singleton
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Deconstruction and Development of the Opera Carmen: 2613
Gabrielle Kurlander, Dan Friedman
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Suzuki Tadashi's 'The Chekov': Three Sisters, The Cherry Orchard, and Uncle Vania
Ian Carruthers
pág. 288
The Snark and the Orchard: A Polemical Afterword
Ronald Bryden
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No Author Better Served (Book Review): 594
Eileen Fischer
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Studies in Strinberg (Book Review): 1087
Kerstin Gaddy
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Tragedy and Comedy (Book Review): 1248
Jure Gantar
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Understanding August Wilson/'I Ain't Sorry for Nothin' I Done.' (Book Review): 1409
Joseph Mclaren
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Pirandello and His Muse (Book Review): 1571
Donato Santeramo
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Edges of Love (Book Review): 758
Erik Weissengruber
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