From genetics to revelations: projects and answers in Antwerp
págs. 17-20
Operatic Joyce: 1742
Timothy Martín
págs. 25-44
James Joyce, mastersinger: echoes and resonances of Richard Wagner's "Die Meistersinger von Nürnberg" in "A portrait of the artist as a young man"
Bernfried Nugel
págs. 45-62
págs. 63-84
Ulysses/Tell: text and nineteenth-century context
Joseph Kestner
págs. 85-124
Caruso' sin in the Fiendish park: 'the possible was the improbable and the improbable the inevitable' (FW 110.11-12)
Ruth Bauerle
págs. 125-142
págs. 143-156
James Joyce and opera: a bibliography
págs. 157-182
'Tutto è sciolto': an operatic crux in the 'sirens' episode of James Joyce's "Ulysses"
Chris Ackerly
págs. 197-204
págs. 205-214
'The heaventree of stars' (U 17.1039): an echo of Richard Wagner's "Meistersinger"?
Bernfried Nugel
págs. 215-218
The tenor of his times: 2162
Judith Harrington
págs. 219-226
"Cyclops" as opera: 1607
Timothy Martín
págs. 227-230
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