In the native State/Indian Ink: footnoting the footnotes on empire
Laurie Kaplan
págs. 337-346
Annette J. Saddik
págs. 347-354
The Mise en scène of the non-euclidian character: Wellman, Jenkin, and Strindberg
Jon Erickson
págs. 355-370
Joseph Devlin
págs. 371-385
''Change the Joke[r] and slip the yoke'': Boal''s ''Joker'' System in Ntozake Shange''s for colored girls... and spell #7
P. Jane Splawn
págs. 386-398
Jean-Claude Grumberg''s Holocaust plays: presenting the jewish experience
Brian Pocknell
págs. 399-410
From ''horse opera'' history to hall of mirrors: Luis Valdez''s Bandido!
Richard Wattenberg
págs. 411-422
Epiphanic transformations: Lou Andreas-Salomè''s reading of Nora, Rebecca, and Ellida
Lorraine Markotic
págs. 423-441
Fin-de-siècle reflections and revisions: Wertenbaker challenges British Chekhov tradition in The Break of Day
Stuart Young
págs. 442-460
Will godot come by bus or through a trace? discussion of a chinese absurdist play: 2355
Harry H. Kuosho
págs. 461-473
Mattogrosso: the postmodernist stage in Brazil
David S. George
pág. 474
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