pág. 338
Modernity and Its Mirages: Wole Soyinka and the African State
pág. 349
The Homestead at the Exit of the Paterfamilies: African Cultural Thought after Wole Soyinka
pág. 358
Masked Discourse: Dramatic Representation and Generic Transformation in Wole Soyinka's A Dance of the Forests
pág. 378
pág. 395
Elesin, Cuchulain, and the Kingdom: The Culture's Hero Sacrifice
pág. 409
Dramatizing Atrocities: Plays by Wole Soyinka, Francis Imbuga, and George Seremba Recalling the Idi Amin Era
pág. 430
pág. 449
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