Printmaking today

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  Año 1999, Vol. 8, Número 4

  • Stop Press: of bigger buildings and smaller artworks...

    págs. 4-5

    

  • Archetypes and tarot cards. Figuring out Mimmo Paladino

    Jim Anderson

    págs. 6-7

    

  • A view of the sea. Richard Carr on Canadian artist

    J. Neville

    pág. 8

    

  • Butterfly eyes. Glenn Alteen

    D. Carson Wilde

    pág. 9

    

  • Cutting the ice. Independence and the art of the Inuit

    R. Carr

    págs. 10-11

    

  • Granville Island, Canada: On a print haven

    Lisa Maclean

    pág. 12

    

  • The Atlantic board

    B. Hainstock

    pág. 13

    

  • Apocalypse now? Surveys artists' millennial visions

    Jim Anderson

    págs. 14-15

    

  • Interpreting revelation. On the making of her artist's book

    N. D'arbeloff

    pág. 16

    

  • Prawat Laucharoen and print as performance art

    J. Sheehy

    pág. 17

    

  • Go west! On Bath Artist Printmakers

    M. Sheaff

    pág. 18

    

  • Manhattan transfer. On MGC, New York

    D. Miller

    pág. 19

    

  • Grafisk Eksperimentarium Henrik Boeegh's Danish studio

    págs. 20-25

    

  • East North East. An Anglo-Japanese exchange

    A. Sykes

    págs. 26-27

    

  • The final cut - a painter's prints. Anne Desmet

    G. Dean

    pág. 27

    

  • Grained glass. A new approach to solar plate printing

    P. Muir

    págs. 28-29

    

  • Built to last? Investigate the light-fastness of digital prints

    A. Ruston, Debbie Glynn

    págs. 30-33

    

  • An Albion in France. Chris Holladay moves a press

    James Burr

    pág. 32