Shakespeare on Film: A Bibliography
págs. 7-48
The Walker-Spielberg Tandem and Lesbianism in "The Color Purple": '[Spielberg] Don't Like It Dirty'
págs. 49-56
Amantes furtivos, furtivos amantes: versiones y adaptaciones de las novelas de John Steinbeck
págs. 57-70
The Invisibility of Human Suffering: The adaptation of Novelised Biographical Material in Steven Spielberg's "Schindler's List", Oliver Stone's "Heaven and Earth" and Brian Gilbert's "not without my Daughter"
págs. 71-89
Homosiciality, Sexism and Homophobia: An Analysis of Charles Dickens's "Our Mutual Friend" and Rainer Werner Fassbinder's "The Bitter Tears of Petra von Kant" and "Fox and His Friends"
págs. 89-98
On the Page/On the Screen: Two Ways of Reading Joyce
págs. 99-108
El narrador a "The Big Sleep": la novela y la película
págs. 109-118
Representing Ireland: Literary Adaptation and Irish Cinema
págs. 119-131
Is 'Who Wears the Pants' an Empty Question?: Comedy and Marriage in "Adam's Rib"
págs. 133-142
"Some Like It Hot": The Blurring of Gender Limits in a Film of the Fifties
págs. 143-152
págs. 153-162
Divorce in Caontemparary Hollywood romantic Comedy: Gender Iusses are Taken to Court
págs. 163-169
págs. 171-176
Theorizing Post-Communism: The Polish Case
págs. 177-182
Joyce and Pinter: "Exiles" and "Betrayal"
págs. 183-192
págs. 193-204
'Some People Would Envy Your Certainty': On the 'Desire for Verification' in Pinter
págs. 205-217
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