BELLS: Barcelona english language and literature studies

• 

  Año 2000, Número 11

  • Irish literatures at century's end

    Jacqueline Anne Hurtley Grundy

    págs. 1-6

    

  • The politics of a cultural journal: George Russell and the irish Statesman

    Nicholas Allen

    págs. 7-16

    

  • Audiences for periodicals in postcolonial Ireland

    Malcolm Ballin

    págs. 17-24

    

  • Precursor and Ephebe: Oscar Wilde, Harold Bloom and the theory of poetry as influence

    Noreen Doody

    págs. 25-32

    

  • Poetic Evolution: Barry Rows forward with Prayers of Sherkin Dawn Duncan

    Dawn Duncan

    págs. 33-40

    

  • Re-Gendering the nation: Representation of Ireland and the figure of the new woman in George Moore's A drama in muslin and George Meredith's Diana of the crossways

    Brendan Fleming

    págs. 41-50

    

  • The dark one and the fair: John Banville's historians of the imagination and their gender stereotypes

    Ruth Frehner

    págs. 51-64

    

  • Through the walll: Heaneys impure translation in Ugolino ans Sweeney astray

    Maristella Gatto

    págs. 65-78

    

  • Postmodern love, postmodern death and god-like authors in irish fiction: The case of John Banville

    Roberta Gefter Wondrich

    págs. 79-88

    

  • Paul Muldoon and the context of postmodernity

    Stipe Grgas

    págs. 89-100

    

  • The word mistrusted: Rhetoric and self-irony in some modern irish poets

    Rui Carvalho Homen

    págs. 101-118

    

  • The dismemberment of Orpheus: Flann O'Brien and censorship code

    Keith Hopper

    págs. 119-132

    

  • Writer and artist in George Moore's a drama in muslim

    George Hughes

    págs. 133-140

    

  • Ordered dreams: Ideology and utopia in the troubles thriller

    Aaron Kelly

    págs. 141-148

    

  • Beckett on stage: Catalan translation

    Joaquim Mallafrè i Gavaldà

    págs. 149-160

    

  • Terry Eagleton's Saint Oscar (1989): Reading Wilde at the end of the twentieth century

    Ana Moya Gutiérrez

    págs. 161-170

    

  • Dispassionate syntax: Irish poetry and the end of yeats's century

    Bernard O'Donoghue

    págs. 171-186

    

  • Ourselves alone: Solpsism in Neil Jordan's novels and films

    Matthew Ryan

    págs. 187-198

    

  • Performing political opposition: Sean O'Casey's late plays and the dernise of Eamon de Valera

    Bernice Schrank

    págs. 199-216

    

  • Reading in the dark: Flying by the nets of politics and psychoanalysis

    Hedwig Schwall

    págs. 217-230

    

  • Harlequin in Ireland: The use of Pantomime in Somerville and Ross's irish R. M. stories

    Julie Anne Stevens

    págs. 231-242

    

  • Ireland and Catalonia: Fearful Symmetries

    Colm Tóibín

    págs. 243-248

    

  • Intra-lingual translation: Irish enlish-standard english

    Richard Wall

    págs. 249-256

    

  • Dissent and dislocation in Com Tóibín's The story of the night

    Kim Wallace

    págs. 257-273