Glocalized "Theatrum mundi": the case of "Comedies des comédiens"
Daphna Ben-Shaul
págs. 165-187
Psychotherapy in contemporary British and Irish drama
Ariel Watson
págs. 188-210
Noël Coward, Harold Pinter, Ivy Compton-Burnett and the uses of Camp
Sos Eltis
págs. 211-233
The creation and collapse of sistren's "Aesthetic space"
Karina Smith
págs. 234-258
Bearing witness to abuse and the importance of female community in Sarah Daniel's "Beside herself", "Head-rot holiday" and "The madness of Esme and Shaz"
Heather Debling
págs. 259-273
Michel Azama's "Croisades" and Hervé Blutsch's "Anatole Felde"
Scott Taylor
págs. 274-288
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