Modern drama

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  Año 2004, Vol. 47, Número 3

  • Tellin a Spatial History of the Columbian Exposition of 1893

    Rosemary K. Bank

    págs. 349-366

    

  • Misrecognition and Antimodernism in the Grove Plays of the Bohemian Club

    Martin Harries

    págs. 367-398

    

  • Wildean War: Politics of 'Fins-de siècle' of Spectatorship

    Michael R. Schiavi

    págs. 399-422

    

  • The Art of Living: History as Use-Value in 'The Romans in Britain?

    Sean Carney

    págs. 423-445

    

  • Traumatizing Romanticism in Brian Friel's 'Faith Healer'

    Bruce Wyse

    págs. 446-463

    

  • Seeking 'The Mercy of Fathers': Sebastian Barry's 'the Steward of Christendom' and the Tragedy of Irish Patriarchy

    Jude R. Meche

    págs. 464-479

    

  • 'Before' and 'After' in Stoppard's 'Arcadia'

    Hanna Scolnicov

    págs. 480-499

    

  • Tom Stoppard: In the Russian Court

    Ira B. Nadel

    págs. 500-525

    

  • Playing at Lives: Biography and Contemporary Feminist Drama

    Ryan Claycomb

    págs. 525-545