'Theoria Negativa': Making Sense of Boal�s Reading of Aristotle
Paul Dwyer
págs. 635-658
A 'Revolutionary Outrage': 'The Importance of Being Earnest' as Social Criticism
Jeremy Lalonde
págs. 659-676
Noël Coward and Sexual Modernism: 'Private Lives' as Queer Comedy
Penny Farfan
págs. 677-688
Stage as Hyperspace: Theatricality of Stoppard
Moonyoung Chung
págs. 689-705
The Circle Game: Gender, Time, and �Revolution� in Tom Stoppard�s 'The Coast of Utopia'
Roberta Barker
págs. 706-725
Negotiating the American West in Sam Shepard�s Family Plays
J. Chris Westgate
págs. 726-743
Performing the Edwardian Ideal: David Mamet and 'The Winslow Boy'
Irene Morra
págs. 744-757
�Seek for Something New�: Mothers, Change, and Creativity in Tony Kushner�s 'Angels in America', 'Homebody/Kabul', and 'Caroline, or Change'
Catherine Stevenson
págs. 758-776
Polymorphous Playboys: Irish�Caribbean Shadow Dancing
Kathleen M. Gough
págs. 777-799
Resistance to Exile by Girls and Women: Two Plays by Abla Farhoud
Louise H. Forsyth
págs. 800-818
JudyLee Oliva�s 'The Fire and the Rose' and the Modeling of Platial Theories in Native American Dramaturgy
Christy Stanlake
págs. 819-841
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