págs. 263-282
Revolution and the end of history: Caryl Churchill's "Mad forest"
págs. 283-299
Living at the end of the Irish century: globalization and identity in Declan Hughes's "Shiver"
págs. 300-324
Making the 'unstageable' stageable: English rewriting of Chekhov's first play
págs. 325-350
Before Katrina: archiving performative downpours and fallen women named Sadie in "Rain" and the "The delug"
págs. 351-368
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