Printmaking today

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  Año 2010, Vol. 19, Número 2

  • Henry Moore was a highly inventive printmaker. As retropectives open at Tate Britain and elsewhere, Rosemary Simmons recalls his work at Curwen Studio

    págs. 6-8

    

  • Paula Henihan´s print installations are matters oj life and death

    pág. 9

    

  • Bronwen Sleigh´s etchings suggest a post-modern metropolis. Claire Barry visited the latest Printmaking Today prizewinner in her studio

    págs. 10-11

    

  • David Barker on 1,200 years of Chinese prints at the British Museum

    págs. 12-13

    

  • Reynolds Stone (1909-79) made desing classics in wood engraving. Ian beck reflects on Stone´s career as exhibitions mark his centenary

    págs. 14-15

    

  • Prints inspired by LP record sleeve art inspire Dr Norman Shaw

    págs. 16-25

    

  • Julia Bell talks to the north east´s notable private collectors

    págs. 26-27

    

  • Hugh Bryden´s print method for plein air sketches

    pág. 28

    

  • Edd Pearman on how to print in white using an inkjet printer

    pág. 29

    

  • Five professional printmakers test out a new relief in from the USA

    pág. 30

    

  • Varna´s International Print Biennale has an illustrious history. Alexander Adams talks to its Director in Bulgaria as plans unfold for 2011

    pág. 31

    

  • Curwen Print Study Centre is a thriving resource says Serena Smith

    págs. 32-33