págs. 1-12
"I Don't Know How to Begin": Findley's Work in tehe Sixties
págs. 13-31
The End(s) of Myth: Apocalyptic and Prophetic Fictions in Headhunter
págs. 32-55
Finding Lily: Maternal Presense in The Piano Man's Daughter
págs. 56-84
"Their Fathers Did It to Them": Findley's Appeal to the Great war Myth to a Gnerational Conflict in The Wars
págs. 85-103
(Im)Perfect Dreams: Allegories of Fascism in The Butterflay Plague
págs. 104-124
"Running Wild": National Ambivalence and Sexual Dissidence in Not Wanted on the Voyage.
págs. 125-148
"The Repose of an Icon" in Timothy Findley's Theatre of Fascism: From "Alligator Shoes" to Famous Last Words
págs. 149-180
págs. 181-200
"A White Hand Hovering over the Page": Timothy Findley and the Racialized/Ethnicized Other.
págs. 201-220
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