"I cannot "live" without a macaroon!": food, hunger, and the dangers of modern american culture in Edna St. Vincent Millary's "aria da capo"
págs. 1-23
The body and the law in the Mexico/U.S. borderlands: violence and violations in "El viaje de los canteres" by Hugo Salcedo and "Backyard" by Sabina Berman
pág. 24
A hasty kind of genius: Noël Cowards's "Hay fever"
pág. 45
Impossible representation: Edward Albee and the end of liberal tragedy
pág. 62
The end of rhetoric and the residuum of pain: bodying language in the theatre of Howard Barker
pág. 78
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