Katherine Tingley's Theosophical Theatre: Greek revivalism and new religion in Lomaland, USA
Edmund B. Lingan
págs. 5-25
Reading representations of race with masochism: the 1990s and Suzan-Lori Parks's Venus
Piia Mustamäki
págs. 27-44
Tony Kushner's The Illusion and Comedy's "Traversal of the fantasy"
Graham Wolfe
págs. 45-64
Stanislavskian acting as phenomenology in practice
Daniel Johnston
págs. 65-84
From the postdramatic to the poly-dramatic: the text/performance divide reconsidered
Natalie Meisner, Donia Mounsef
págs. 85-102
Boxing with Brecht: David Mamet and Bertolt Brecht
Ira B. Nadel
págs. 103-124
Introduction: Journal of Dramatic Theory and Criticism's Special praxis section on William F. Cody / "Buffalo Bill" / Buffalo Bill's Wild West
Rosemary K. Bank
págs. 127-128
Performance on the plains: staging the great sioux war in Buffalo Bill's Red right hand, 1876
Kato Buss
págs. 129-139
A group of mexicans.... will illustrate the use of the lasso': Charreada performance in Buffalo Bill's Wild West
Andrew Gibb
págs. 141-147
Show indians' / showing indians: Buffalo Bill's Wild West, the bureau of indian affairs, and american anthropology
págs. 149-158
Book reviews
págs. 160-170
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