Towards a new African cinema criticism: from the truth to 'Déchets Humains'
págs. 307-321
Postcolonial tranformations: from 'Emitaï' (Sembène 1971) to 'Moolaadé' (Sembène 2004)
págs. 323-338
Giving a face to the conflict: contemporary representations of women in Franco-North African film
págs. 339-363
Interface and erasure in Le Clézio´s 'Mondo' and Gatlif´s "Mondo" (1997): problems of interpretation and reception
págs. 365-380
The filmmaker - narrator as a reflection of/on postcolonial African cinema: Henri Lopes´s "Le lys et le flamboyant" (1997) and Assia Djebar's "La femme sans sépulture" (2002)
págs. 381-395
Open-sourcing French culture: the politics of 'métissage' and collective reappropriation in the films of Abdellatif Kechiche
págs. 397-421
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