Abject Afrikaners and Iconoclast Trekkers: Peter Van Heerden and the Laagers of White Masculinity
Megan Lewis
págs. 7-30
A' is for Abject: The Red Letter Plays of Suzan-Lori Parks
Cheryl Black
págs. 31-56
The End of Room-Space: Domesticity and the Absent Audience in Wallace Shawn's The Fever
Jeanmarie Higgins
págs. 57-74
The Market for Argument: Preaching the Puritan Counterpublic at Paul's Cross
Simon du Toit
págs. 75-96
"Special Section: Affect/Performance/Politics"
Erin Hurley, Sara Warner
págs. 99-107
Behaviorism, Catharsis, and the History of Emotion
R. Darren Gobert
págs. 109-125
"May she read liberty in your eyes?" Beecher, Boucicault and the Representation and Display of Antebellum Women�s Racially Indeterminate Bodies
Lisa Merrill
págs. 127-144
Feeling Scottish: Affect, Mimicry, and Vaudeville's "Inimitable" Harry Lauder
Marlis Schweitzer, Daniel Guadagnolo
págs. 145-160
"Structures of Feeling" as Methodology and the Re-emergence of Holocaust Survivor Testimony in 1960s Czechoslovakia
Lisa Peschel
págs. 161-172
Performance and the Pace of Empathy
John Muse
págs. 173-188
Affect in Deleuze, Hijikata, and Coates: The Politics of Becoming- Animal in Performance
Laura Cull
págs. 189-204
Feeling Women's Culture: Women's Music, Lesbian Feminism, and the Impact of Emotional Memory
Jill Dolan
págs. 205-219
Book reviews
págs. 223-250
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