págs. 1-8
"El santuario no se rinde" [The sancturary does not surrender] (Arturo Ruiz-Castillo, 1949): changes in the propagandist strategy of the Franco Regime during the Cold War
págs. 9-21
"El Santuario no se rinde" [The sancturary does not surrender]: fantasy, forgiveness and mythology
págs. 22-36
The negation of the national hero in Victor Sánchez del Campo's desperate evasion ("Obsesión", 1947)
págs. 37-49
"Las inquietudes de Shanti Andía" [The restlessness of Shanti Andia]: spanish cinema and literary maritime adventures in the 1940s
págs. 50-81
Between experimental and factual: two texts about film in the thirties
págs. 82-93
págs. 94-100
The femme fatale in Ricardo Gascon's cinema od the forties: "Cuando los angeles duermen" [When angels are asleep]
págs. 101-122
Ricardo Gascón and his brazen vision of the universe of Wenceslao Fernández Flórez: "Ha entrado un ladrón" [A thief has entered] (1949)
págs. 123-131
págs. 132-151
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