Self-Abasement and Republican Insecurity: Paul Fane in Its Political Context
págs. 443-469
págs. 471-500
"Object into Subject": Michelle Cliff, John Ruskin, and the Terrors of Visual Art
págs. 501-526
Impostors of Freedom: Southern White Manhood, Hypodermic Morphine, and E. P. Roe's Without a Home
págs. 527-554
Salvaging History: Modern Philosophies of Memory and Time in The Age of Innocence
págs. 555-581
págs. 583-609
págs. 611-637
págs. 639-644
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