págs. 1-5
Laughing Matter: Phenomenological Takes on the Mind/Body Problem in Ulysses and Early Cinema.
págs. 6-23
"The skeleton is well wrapped in flesh": Official First World War Films and Modernist Literary Corporeality in H.D. and Virginia Woolf.
págs. 24-43
That Magic Force that is Montage: Eisenstein's Filmic Fourth Dimension, Borderline and H. D.
págs. 44-60
Hearing Cinematic Modernism in the 1930s: The Audiovisual in British Documentary Cinema and Virginia Woolf's Between the Acts.
págs. 61-75
págs. 76-93
págs. 94-113
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