págs. 236-279
págs. 280-309
Multiple impressions: Christ in the winepress and the semiotics of the printed image
págs. 310-337
Academic intimacies: portraits of family, friendship, and rivalry in the Académie Royale
págs. 338-365
Ruins, rhetoric and revolution: Paul Signac's Le Demolisseur and anarchism in the 1890's
págs. 366-391
págs. 392-417
A third-worldist art?: Germano Celant's invention of Arte povera
págs. 418-441
Reviews: insectomania
© 2001-2024 Fundación Dialnet · Todos los derechos reservados