Modern drama

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  Año 2013, Vol. 56, Número 1

  • 'These noxious microbes': pathological dramaturgy in George Bernard Shaw¿s "Too True to Be Good"

    Christopher Wixson

    págs. 1-18

    

  • Bernard Shaw's Stalinist allegory: "The Simpleton of the Unexpected Isles"

    Matthew Yde

    págs. 19-37

    

  • Mobilizing Maurya: J.M. Synge, Bertolt Brecht and the revolutionary mother

    Susan Cannon Harris

    págs. 38-59

    

  • Revisiting Marat/Sade: philosophy in the Asylum, Asylum in the theatre

    Anne Beggs

    págs. 60-79

    

  • Harold Pinter's "More Precisely Political" dramas or a post-1983 economy of affect

    Basil Chiasson

    págs. 80-101

    

  • To witness mimesis: the politics, ethics and aesthetics of testimonial theatre in "Through the wire"

    Caroline Wake

    págs. 102-125