págs. 223-242
A Renaissance audience considered: the nuns at S. Apollonia and Castagno's "Last Supper"
págs. 243-266
The discourse of failure in Seventeenth-Century Rome: Prospero Bresciano's Moses
págs. 267-291
págs. 292-309
The uncharted Kahn: the visuality of planning and promotion in the 1930s and 1940s
págs. 310-327
págs. 328-353
Andy Warhol's silver elvises:: meaning through context at the Ferus Gallery in 1963
págs. 354-372
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