Osiris
Año 2013, Número 28
Introduction
págs. 1-11
Techniques of evidence
Thomas Young's musical optics: trnaslating sound into light
págs. 15-39
The electrical imagination: sound analogies, equivalent circuits, and the rise of electroacoustics, 1863-1939
págs. 40-63
The aesthetics of the signal: noise research in long-wave radio communications
págs. 64-79
Listening tho the Cold War: the nuclear test ban negotiations, seismology and psychoacoustics, 1958-1963
págs. 80-102
Phenomenotechnique of sound
Mineral sound or missing fundamental: cultural history as signal analysis
págs. 105-118
Changeable ears: Ernst Mach's and Max Planck's studies of accommodation in hearing
págs. 119-145
págs. 146-161
Camera silenta: time experiments, media networks, and the experience of organlessness
págs. 162-188
Circulation of sound objects
Experiments on tone color in music and acoustics: Helmholtz, Schoenberg, and Klangfabenmelodie
págs. 191-211
Craftsmen-turned-scientists?: the circulation of explicit and working knowledge in musical-instrument making, 1880-1960
págs. 212-231
Listening to the piano pedal: acoustics and pedagogy in late nineteenth century contexts
págs. 232-253
"A towering virtue of necessity": interdisciplinarity and the rise of computer music at Vietnam-Era Stanford
págs. 254-277
Toward a new organology: instruments of music and science
págs. 278-298
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