Ladies-in-waiting in waiting: picturing adolescence in Dmitry Levitsky's Smolny Portraits, 1772-76
págs. 10-37
The motionless look of a painting: Jules Bastien-Lepage, "Les Foins", and the end of realism
págs. 38-67
Second only to the original: rhetoric and practice in the photographic reproduction of art in early twentieth-century China
págs. 68-95
págs. 96-125
págs. 126-147
págs. 148-165
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