Artibus et historiae: an art anthology

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  Año 2011, Número 63

  • Reflections on Leonardo's Last Supper

    Joseph Polzer

    • Resumen

    págs. 9-38

    

  • Leonardo da Vinci's Uffizi Annunciation: The Holy Spirit

    Liana de Girolami Cheney

    • Resumen

    págs. 39-53

    

  • Simon Vouet, Raphael, and the Accademia di San Luca in Rome

    Raymond Ward Bissell

    • Resumen

    págs. 55-72

    

  • Botticelli's Primavera, Angelo Poliziano, and Ovid's Fasti

    Lew Andrews

    • Resumen

    págs. 73-84

    

  • La bella mano: Michelangelo the Craftsman

    William Edward Wallace

    • Resumen

    págs. 85-99

    

  • Claude Lorrain Revisited

    Marcel George Roethlisberger

    • Resumen

    págs. 101-118

    

  • On Bernini's Reputed Unpopularity in Late Baroque Rome

    Livio Pestilli

    • Resumen

    págs. 119-142

    

  • Gian Lorenzo Bernini tra teoria e prassi artistica: la speaking likeness, il "bel composto", e il "paragone"

    Stefano Pierguidi

    • Resumen

    págs. 143-164

    

  • Apotheosis and Mediality in Bernini's Later Portrait Busts

    Damián Dombrowski

    • Resumen

    págs. 165-199

    

  • (Re)presenting Francesco I d'Este: An Allegorical Still Life in the Minneapolis Institute of Arts

    Steven F. Ostrow

    • Resumen

    págs. 201-216

    

  • Retour sur l'Europe chinoise

    Philippe Junod

    • Resumen

    págs. 217-258

    

  • "Purely Optical Things"? On Marcel Duchamp's Precision Optics

    Lars Blunck

    • Resumen

    págs. 259-274

    

  • The Primal Cry of Horror: The a-theology of Francis Bacon

    Rina Arya

    • Resumen

    págs. 275-284

    

  • The Szczerbiec. The Polish Coronation Sword

    Zdzislaw Jr Zygulski

    • Resumen

    págs. 285-309