Artibus et historiae: an art anthology

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  Año 2008, Número 58

  • Pulling out All the Stoups: A Newly-Discovered Acquasantiera by Antonio Federighi

    Elinor Margaret Richter

    • Resumen

    págs. 9-27

    

  • Note sur un dessin de Saint Roch de Lorenzo Lotto

    Sylvie Béguin

    • Resumen

    págs. 29-34

    

  • Bernardino da Feltre, the Monte di Pietà and the Man of Sorrows: Activist, Microcredit and Logo

    Catherine Rose Puglisi, William Barcham

    • Resumen

    págs. 35-63

    

  • The Beginnings of Medallic Art in Poland during the Times of Zygmunt I and Bona Sforza

    Mieczyslaw Morka

    • Resumen

    págs. 65-87

    

  • Giovanni Bellini's Humanist Signature: Pietro Bembo, Aldus Manutius and Humanism in Early Sixteenth-Century Venice

    Debra Pincus

    • Resumen

    págs. 89-119

    

  • Of Founding Fathers and the Necessity of the Place: Giorgione's Tempesta

    Regina Stefaniak

    • Resumen

    págs. 121-155

    

  • Reflections of Pliny in Giovanni Bellini's Woman with a Mirror

    Sarah Blake McHam

    • Resumen

    págs. 157-171

    

  • Nova Roma. Aspekte der Antikenrezeption in den Niederlanden im 16. JahrhundertNova Roma. Aspekte der Antikenrezeption in den Niederlanden im 16. Jahrhundert

    Caecilie Weissert

    • Resumen

    págs. 173-200

    

  • Guido Reni's Latona for King Philip IV: An Unfinished Masterpiece. Lost, Forgotten, Rediscovered and Restored

    Anthony Colantuono

    • Resumen

    págs. 201-216

    

  • Due nuove opere giovanili di Giambattista Tiepolo

    Filippo Pedrocco

    • Resumen

    págs. 217-221

    

  • Ein barocker Dresdner "Audienz Stuhl" mit Kurfürstlich-Sächsischem und Königlich-Polnischem Wappen

    Gisela Haase

    • Resumen

    págs. 223-245