Artibus et historiae: an art anthology

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  Año 2006, Número 53

  • Mantegna's Meditation on the Sacrifice of Christ: His Synoptic Savior

    Colin Eisler

    • Resumen

    págs. 9-22

    

  • Who Was Ginevra de' Benci? Leonardo's Portrait and Its Sitter Recontextualized

    Mary D. Garrard

    • Resumen

    págs. 23-56

    

  • The "Odyssey" Cassone Panels from the Lanckoronski Collection: On the Origins of Depicting Homer's Epic in the Art of the Italian Renaissance

    Jerzy Miziolek

    • Resumen

    págs. 57-88

    

  • Isis Rising: The Ancient Theology of Donatello's "Virgin" in the Santo

    Regina Stefaniak

    • Resumen

    págs. 89-110

    

  • Tota pulchra, et formosa es Maria et macula originalis non est in te: The Congregation of Clergy at Santa Maria Formosa, Venice, and Their Altar of the Immaculate Conception

    Susan Steer

    • Resumen

    págs. 111-123

    

  • "La maniera secca": A proposito dello stile del primo periodo di Andrea Mantegna

    Paolo Sanvito

    • Resumen

    págs. 125-149

    

  • The Dutch Guardroom Scene of the Golden Age: A Definition

    Jochai Rosen

    • Resumen

    págs. 151-174

    

  • Ideal and History. Johann Wolfgang Goethe's Collection of Prints and Drawings

    Johannes Grave

    • Resumen

    págs. 175-186

    

  • The "Dance of the Seven Veils". Salome and Erotic Culture around 1900

    Udo Kultermann

    • Resumen

    págs. 187-215

    

  • "Sztuka", "Wiener Secession", "Mánes". The Central European Art Triangle

    Stefania Krzysztofowicz-Kozakowska

    • Resumen

    págs. 217-259