Artibus et historiae: an art anthology

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  Año 2004, Número 49

  • Piero della Francesca and Narrative Encapsulation: E.g. The Cock on the Column

    Marilyn Aronberg Lavin

    • Resumen

    págs. 9-18

    

  • On the Construction of Reality and Imagery in Jan van Eyck and Woody Allen

    Michael Viktor Schwarz

    • Resumen

    págs. 19-31

    

  • The Metaphysics of the Mundane: Understanding Andy Warhol's Serial Imagery

    Jennifer Hope Dyer

    • Resumen

    págs. 33-47

    

  • Titian's Diana Pictures: The Passing of an EpochTitian's Diana Pictures

    James Lawson

    • Resumen

    págs. 49-63

    

  • English Engravings of Picturesque Views after Jean Pillement (1728-1808)

    Maria Gordon-Smith

    • Resumen

    págs. 65-86

    

  • Cornelis Ketel: A Painter without a Brush

    Nicolas Galley

    • Resumen

    págs. 87-100

    

  • Public and Private Portraits of Cosimo de' Medici and Eleonora di Toledo: Bronzino's Paintings of His Ducal Patrons in Ottawa and Turin

    Janet Cox-Rearick, Mary Westerman Bulgarella

    • Resumen

    págs. 101-159

    

  • Bronzino and the Diligence of Art

    Deborah Parker

    • Resumen

    págs. 161-174

    

  • Caravaggio, Murtola e "la chioma avvelenata di Medusa"

    Maurizio Marini

    • Resumen

    págs. 175-184

    

  • Marmi genovesi nel Sud della Francia, scultori francesi a Genova: nuovi elementi per la vicenda artistica di Honoré Pellé (Gap, 1641-Genova, 1718)

    Francesca Fabbri

    • Resumen

    págs. 185-196

    

  • Edward Burne-Jones' "Andromeda": Transformation of Historical and Mythological Sources

    Liana de Girolami Cheney

    • Resumen

    págs. 197-227