Artibus et historiae: an art anthology

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  Año 2003, Número 48. Dedicado a: In this issue special articles in memory of Philipp P. Fehl (1920-2000)

  • In Memoriam Philipp P. Fehl (1920-2000)

    Claudia Echinger-Maurach

    págs. 8-11

    

  • Philipp P. Fehl: Artist, Scholar, Humanist, Witness

    Marilyn Perry

    págs. 13-15

    

  • Über das Lob in der Kunstgeschichte und sein Schicksal

    Philipp P. Fehl

    • Resumen

    págs. 17-28

    

  • Mantegnas "Mutter der Tugenden"

    Philipp P. Fehl

    • Resumen

    págs. 29-42

    

  • "Elevatio". The Depiction of a Ritual Gesture

    Moshe Barasch

    • Resumen

    págs. 43-56

    

  • What Is Expressed in Michelangelo's "Non-Finito"

    Creighton E. Gilbert

    • Resumen

    págs. 57-64

    

  • Leonardo da Vinci's Last Supper: The Case of the Overturned Saltcellar

    Jack Wasserman

    • Resumen

    págs. 65-72

    

  • The Photographic Picturesque

    James S. Ackerman

    • Resumen

    págs. 73-94

    

  • Camposanto, Terra santa: Picturing the Holy Land in Pisa

    Diane Cole Ahl

    • Resumen

    págs. 95-122

    

  • Raphael's Designer Labels: From the Virgin Mary to La Fornarina

    Rona Goffen

    • Resumen

    págs. 113-142

    

  • Vested Interest: Redressing Jews on Michelangelo's Sistine Ceiling

    Barbara Wisch

    • Resumen

    págs. 143-172

    

  • Spirituality and Jewish Ceremonial Art

    Vivian B. Mann

    • Resumen

    págs. 173-182

    

  • The Spirit of Pygmalion

    Paul Barolsky

    • Resumen

    págs. 183-184

    

  • Augustine Käsenbrot of Olomouc, His Golden Bowl in Dresden, and the Renaissance Revival of "Poetic" Bacchus

    Lubomír Konecný

    • Resumen

    págs. 185-197

    

  • From Purgatory to the "Primavera": Some Observations on Botticelli and Dante

    Max Marmor

    • Resumen

    págs. 199-212

    

  • Venus as Semiramis: A New Interpretation of the Central Figure of Botticelli's "Primavera"

    Sergiusz Michalski

    • Resumen

    págs. 213-222