Artibus et historiae: an art anthology

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  Año 2002, Número 46

  • Karl Friedrich Schinkels Gemälde "Aussicht auf das Spreeufer bei Stralau" von 1817

    Helmut Börsch-Supan

    • Resumen

    págs. 9-19

    

  • Die wachsame Müdigkeit des Alters. Realismus als rhetorisches Mittel im Spätmittelalter

    Martin Büchsel

    • Resumen

    págs. 21-35

    

  • The Model's Pose: Raphael's Early Use of Antique and Italian Art

    Michael W. Kwakkelstein

    • Resumen

    págs. 37-60

    

  • The 'Unusual Character' of Holbein's "Ambassadors"

    Hagi Kenaan

    • Resumen

    págs. 61-75

    

  • Michelangelo and the Eye of the Beholder: The Early Bologna Sculptures

    Ellen Louise Longsworth

    • Resumen

    págs. 77-82

    

  • Michelangelo's Projects for the Medicean Tombs: Rereading of the Story of the Medici Chapel

    Yoni Ascher

    • Resumen

    págs. 83-96

    

  • The Strozzi Chapel by Michele Tosini: A Visual Interpretation of Redemptive Epiphany

    Heidi Josepha Hornik

    • Resumen

    págs. 97-118

    

  • On Juno and Her Semblance in Rubens' "Ixion"

    Aneta Georgievska-Shine

    • Resumen

    págs. 119-126

    

  • "The Golden Age... The First and Last Days of Mankind": Claude Lorrain and Classical Pastoral, with Special Emphasis on Themes from Ovid's Metamorphoses

    Claire Pace

    • Resumen

    págs. 127-156

    

  • A Poussin Problem

    Richard E. Spear

    • Resumen

    págs. 157-161

    

  • "Don Quichotte", Daumier et la légende de l'artiste"

    Philippe Kaenel

    • Resumen

    págs. 163-177

    

  • Further Light on the Critical Reception of Goya's "Family of Charles IV" as Caricature

    Alisa Luxenberg

    • Resumen

    págs. 179-182

    

  • Rembrandt and the Church Interiors of the Delft School

    Sergiusz Michalski

    • Resumen

    págs. 183-193