Artibus et historiae: an art anthology

• 

  Año 1992, Número 26

  • Rubens's Portrait of Isabella de Bourbon, Queen of Spain

    Michael Jaffé

    • Resumen

    págs. 9-14

    

  • Pierre-Paul Rubens et la «Vengeance de Samson»: son oeuvre charniere inédite de la période italienne

    Didier Bodart

    • Resumen

    págs. 15-30

    

  • The Essence of Agony: Grünewald's Influence on Picasso

    Diane Apostolos-Cappadona

    • Resumen

    págs. 31-47

    

  • The Female Model and the Renaissance Nude: Dürer, Giorgione, and Raphael

    Joanne G. Bernstein

    • Resumen

    págs. 49-63

    

  • The Antiquarianism of Jacopo Bellini

    Patricia Fortini Brown

    • Resumen

    págs. 65-84

    

  • Wooden Sculpture in Italy as Sacral Presence

    John T. Paoletti

    • Resumen

    págs. 85-100

    

  • Venice and the Two Romes: Byzantium and Rome as a Double Heritage in Venetian Cultural Politics

    Debra Pincus

    • Resumen

    págs. 101-114

    

  • The Neglected Fruit Cluster in Picasso's Les Demoiselles d'Avignon

    Lawrence D. Steefel

    • Resumen

    págs. 115-120

    

  • Early Works by Lievens and Rembrandt in Two Unknown Still Lifes

    Roelof van Straten

    • Resumen

    págs. 121-142

    

  • Bruegel's Misanthrope: Renaissance Art for a Humanist Audience

    Margaret A. Sullivan

    • Resumen

    págs. 143-162

    

  • The "Pala Doria" and Andrea Doria's Mortuary Chapel: A Newly Discovered Project by Perino del Vaga

    Linda Wolk-Simon

    • Resumen

    págs. 163-175

    

  • Studi su Raffaele Soprani

    Jan K. Ostrowski

    • Resumen

    págs. 177-189

    

  • Michelangelo in Heaven

    Frederick Hart

    • Resumen

    págs. 191-209