Mouthing off: the negativity of monologue in Mac Wellman�s "A Murder of Crows"
Julia Jarcho
págs. 293-314
Stage Freight: labour and the representability of capitalism in Gerhart Hauptmann�s "The Weavers"
Alisa Snidernam
págs. 315-338
'High and Aloof': verse, violence and the audience in Djuna Barnes�s "The Antiphon"
Alex Goody
págs. 339-363
The Historical Edge of Irony: Marco Millions and its Chinese adaptations
Zhu Xuefeng
págs. 364-384
Beyond the Marilisse and the Chestnut: Shattering slavery�s sexual stereotypes in the drama of Ina Césaire and Maryse Condé
Emily Sahakian
págs. 385-408
Salesman in Abu Dhabi: the geopathology of objects
Kevin Riordan
págs. 409-432
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