Artibus et historiae: an art anthology

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  Año 1986, Número 13

  • The Curtain-Sack: A Newly Discovered Incarnation Motif in Rogier van der Weyden's "Columba Annunciation"

    Susan Koslow

    • Resumen

    págs. 9-33

    

  • Benozzo Gozzoli's Frescoes of the Life of Saint Augustine in San Gimignano: Their Meaning in Context

    Diane Cole Ahl

    • Resumen

    págs. 35-53

    

  • Nuovi documenti e contesti per l'ultimo Carpaccio. I: "L'Incontro di Gioacchino e Anna" per San Francesco in Treviso

    Augusto Gentili

    • Resumen

    págs. 55-65

    

  • The Earliest Dated Titian?

    Cecil Gould

    • Resumen

    págs. 67-71

    

  • Italiam versus negociorum suorum causa. Osservazioni su Rubens e i suoi modelli in ItaliaItaliam versus negociorum suorum causa. Osservazioni su Rubens e i suoi modelli in Italia

    Caterina Virdis Limentani

    • Resumen

    págs. 73-89

    

  • Tenebrism in Baroque Painting and Its Ideological Background

    Maria Rzepinska, Krystyna Malcharek

    • Resumen

    págs. 91-112

    

  • Venezia roman(t)ica e gotica

    Franco Bernabei

    • Resumen

    págs. 113-125

    

  • Delacroix's "Le Lever," Cézanne's "Interior with Nude," Picasso's "Les Demoiselles d'Avignon," and the Genre of the Erotic Nude

    Joyce Brodsky

    • Resumen

    págs. 127-151

    

  • Les ready-made de Duchamp et la théorie du symbole

    Jindrich Chalupecký

    • Resumen

    págs. 153-163

    

  • Panofsky and ICONCLASS

    Roelof van Straten

    • Resumen

    págs. 165-181