Anglo-American: Artistic Exchange between Britain and the USA
págs. 630-651
págs. 652-673
págs. 674-695
Picturesque Nostalgia as Ironic Dislocation: Joshua Shaw's Disruptive Visions of the Old New World
págs. 696-713
Details of Absence: Frederic Church and the Landscape of Post-Emancipation Jamaica
págs. 714-731
Troubled Abstraction: Whiteness in Charles Dana Gibson and George Du Maurier
págs. 732-753
'In seen and unseen places': The Henry G. Marquand House and Collections in England and America
págs. 754-773
Camden Town and Ashcan: Difference, Similarity and the 'Anglo-American' in the Work of Walter Sickert and John Sloan
págs. 774-795
Losing Sight: War, Authority, and Blindness in British and American Visual Cultures, 1914-22
págs. 796-817
págs. 818-837
'Strange Encounters': Claes Oldenburg's 'Proposed Colossal Monuments' for New York and London
págs. 838-857
págs. 858-874
© 2001-2024 Fundación Dialnet · Todos los derechos reservados